This blog is part of Certificate IV Photo Imaging, Bachelor of Arts (Graphic Design), Certificate IV in Design, Certificate IV Digital Media, and Certificate III Media. Please feel free to leave a comment, provided it is nice. Enjoy. Thanks Carolyn
Friday, February 28, 2014
Vintage Cobweb: Australiana Children's Books
VINTAGECOBWEB: AUSTRALIANA CHILDREN'S BOOKS: The adventures of two dolls, Jenny & Sue as they travel Australia and the Pacific Islands. Bruce & June MacPherson wrote these delightful books in the 1960's. They were produced as part of a series, The Young Australian Books.
Tuesday, February 25, 2014
Cubism Photography
Over a period of seven years leading up to 1914 and the outbreak of the First World War, Cubism marked a decisive break from representative painting, reflecting a radical fissure in politics, art, and culture.
Led by Pablo Picasso and Georges Braque, the Cubist painters pursued an abstract, geometric approach.
Cubist paintings often look as if the subject has been constructed from a hundred or more snapshots, all taken from different angles. Where people are represented, they are sharply angular and feature masks that strongly suggest an African influence.
Familiar objects, such as violins and guitars, are sliced up and the reassembled fragments skewed and rotated; they are often accompanied by lettering and musical notes. Color sometimes remains, though grays and browns predominate.
For our exercise we used photographed various exercises around the visual art rooms, and then had a go and it was not an easy task.
Led by Pablo Picasso and Georges Braque, the Cubist painters pursued an abstract, geometric approach.
Cubist paintings often look as if the subject has been constructed from a hundred or more snapshots, all taken from different angles. Where people are represented, they are sharply angular and feature masks that strongly suggest an African influence.
Familiar objects, such as violins and guitars, are sliced up and the reassembled fragments skewed and rotated; they are often accompanied by lettering and musical notes. Color sometimes remains, though grays and browns predominate.
For our exercise we used photographed various exercises around the visual art rooms, and then had a go and it was not an easy task.
Wednesday, February 19, 2014
Film Noir
Moody, dark and dramatic. The term film noir may instantly conjure cinematic scenarios in your mind of hard-boiled detectives and brassy dames that drag trouble behind them like tattered coats. But film noir is also a still photography style, largely informed by the movies of the same classification.
Film noir is a term introduced in the 1940s by French critics Nino Frank and Jean-Pierre Chartier. The French word "noir" translates to "black" or "dark," and film noir describes a style of filmmaking rather than an actual film genre. At the heart of film noir is a dramatic story, often filled with crime and sexual exploits. Film noir's defining characteristics, though, are its storytelling style and the cinematography used to capture it.
Today, film noir is still a highly recognized and well-respected form of storytelling on film. If you admire this style, you may choose to shoot film noir movies or still shots. For the photography, you'll want to create the lighting and camera effects that imitate the best of film noir.
Rembrandt lighting is a lighting technique that is used in studio portrait photography. It can be achieved using one light and a reflector, or two lights, and is popular because it is capable of producing images which appear both natural and compelling with a minimum of equipment. Rembrandt lighting is characterized by an illuminated triangle under the eye of the subject on the less illuminated side of the face. It is named for the Dutch painter Rembrandt, who often used this type of lighting.
Normally, the key light is placed high and to one side at the front, and the fill light or a reflector is placed half-height and on the other side at the front, set to about half the power of the key light, with the subject, if facing at an angle to the camera, with the key light illuminating the far side of the face.
The key in Rembrandt lighting is creating the triangle or diamond shape of light underneath the eye. One side of the face is lit well from the main light source while the other side of the face uses the interaction of shadows and light, also known as chiaroscuro, to create this geometric form on the face.
The triangle should be no longer than the nose and no wider than the eye. This technique may be achieved subtly or very dramatically by altering the distance between subject and lights and relative strengths of main and fill lights.
Film noir is a term introduced in the 1940s by French critics Nino Frank and Jean-Pierre Chartier. The French word "noir" translates to "black" or "dark," and film noir describes a style of filmmaking rather than an actual film genre. At the heart of film noir is a dramatic story, often filled with crime and sexual exploits. Film noir's defining characteristics, though, are its storytelling style and the cinematography used to capture it.
Today, film noir is still a highly recognized and well-respected form of storytelling on film. If you admire this style, you may choose to shoot film noir movies or still shots. For the photography, you'll want to create the lighting and camera effects that imitate the best of film noir.
Rembrandt lighting is a lighting technique that is used in studio portrait photography. It can be achieved using one light and a reflector, or two lights, and is popular because it is capable of producing images which appear both natural and compelling with a minimum of equipment. Rembrandt lighting is characterized by an illuminated triangle under the eye of the subject on the less illuminated side of the face. It is named for the Dutch painter Rembrandt, who often used this type of lighting.
Normally, the key light is placed high and to one side at the front, and the fill light or a reflector is placed half-height and on the other side at the front, set to about half the power of the key light, with the subject, if facing at an angle to the camera, with the key light illuminating the far side of the face.
The key in Rembrandt lighting is creating the triangle or diamond shape of light underneath the eye. One side of the face is lit well from the main light source while the other side of the face uses the interaction of shadows and light, also known as chiaroscuro, to create this geometric form on the face.
The triangle should be no longer than the nose and no wider than the eye. This technique may be achieved subtly or very dramatically by altering the distance between subject and lights and relative strengths of main and fill lights.
Monday, February 17, 2014
PhotoMontage
I have enrolled at Orange TAFE to do Certificate IV - Photo Imaging. I am in my 3rd week and so far enjoying every minute of the classes.
Today we worked on creating photomontages. Photomontage is a process that results in to making a composite of photo graph. It is done through cutting out different photos and sticking them together on a certain back ground to show something or to tell a certain story.
Below are two I have done today and the images used to create them.
The next image.
Today we worked on creating photomontages. Photomontage is a process that results in to making a composite of photo graph. It is done through cutting out different photos and sticking them together on a certain back ground to show something or to tell a certain story.
Below are two I have done today and the images used to create them.
The next image.
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